Dancing with the Stars in Cape Hatteras

A weekend with my dance partner "Nik" (that would be short for Nikon, my husband knows all about him!) included sunrises, lighthouses, piers and stars.

My version of Dancing with the Stars began on my last morning in North Carolina's Cape Hatteras National Seashore  at 3:00 a.m.  After my iPhone alarm sounded, a phone call from my husband who wasn't with me on this particular trip and a wakeup call from the hotel's front desk, I was up and moving.  Why so many wake-up calls?

I was determined to get these shots! 

Star Trails after the Moon had Set

Dancing Stars

Cold, a bit windy and no coffee, several photographers and I headed out to  Cape Hatteras Lighthouse to photograph stars and star trails. 

The gear?  My Nikon 600, a 14-24mm 2.8 lens, tripod and cable release.  Accessories included warm clothing, a timer, Photographer's Ephemeris app and a stars trails map on my iPhone so I could readily locate the North Star.  

First on the agenda was a 30 minute exposure of star trails.  With ISO set at 100, manual focus set to infinity it was a few moments of hurry up, frame the shot, adjust the composition and wait.

After the star trails, it was on to capturing multiple, 30 second exposure settings of the brilliant array of stars.  ISO was raised to 1600 while focus was still set to infinity.

The morning was followed by more photography at sunrise on the beach.  The joy of light and life under the sky!

Hidden Gems….Polish them with Edits

It's a winter wonderland.  It's a beautiful sunrise.  Spring color rises from the abyss of winter.  Fall foliage or spring flowers radiate colors that would make Monet smile.

A Lovely Fall Day, simple RAW edits
Nikon 600, 14-24mm lens

There are times when you get home after a photography shoot that you load your files and what you thought was going to be great, wasn't.

It happens to everyone.

Sly Eyes, RAW Edits with Sepia effect
Nikon 5100, 55-300mm

Sure, our first reaction may be to ditch and delete.  We've done it many times.

Enter the world of creative edits!

A raining day?  Pull out some old images.

Not able to get out and go shoot due to your work schedule?  Take a break and review some prior images you haven't looked at in months.

Sitting on the couch watching football on a team you don't really care about?  Find those 'almost had what you were looking for.'

Lightroom and other image processing software offer many creative editing tools that can turn what you were going to ditch into interesting and quite usable works of art.

Recently we visited the The Outer Banks.  I had been picturing, non pun intended, in my mind wide-angel images of piers I wanted to capture with my new Nikon 14-24mm Landscape lens.

As a bird and flower photographer, most of my work has been with either the Sigma 150-500 or Nikon 105mm macro and a few other lenses.  Landscape photography presents a new horizon of learning (see my recent blog The Checklist….It's Not About What I'm Packing).  So when I returned from my first shoot on the pier, I was disappointed.  The weather was colorless and flat.  Winds whipped at 25 miles per hour.  My limited perspectives captured didn't leave a lot to work with.

Or did it?

A photographer in The Outer Banks, Dan Waters, that I had the pleasure of working with while there shared many professional tips and tricks.  One of which is www.niksoftware.com that has a series of modules to assist in various types of targeted editing.

A Light Hits the Gloom on the Gray
Nikon 600, 14-24mm

The pier image mentioned earlier evolved in depth and emotional perspective with a few simple edits using Lightroom and  Nik Software Silver Efex Pro.


Here's to Happy Shooting!  If you can't get out today or tomorrow - then, Happy Editing!

Sheen

The Checklist - It's Not about What I'm Packing

When planning our excursions  many of us create a checklist to ensure we don't forget the important items.

Cameras, lenses, remote, cleaners, spare batteries and filters.  Check.

Gloves, hat, sunglasses, snacks ((Erg Bar for long term energy), smart phone.  Check.

There's another checklist that I've found that I need to make.  It's the tactics checklist of what to remember when 'caught up in the moment' of your subject.

Underneath the Outer Banks Fishing Pier at Sunrise
Nikon 600, 14-24mm, f/16, ISO 100, 6 sec

On a recent trip, I had the privilege of shooting above and under piers in the the Outer Banks in North Carolina.  When processing the images in Lightroom,  there were specific shooting areas where I noticed a fundamental issue.  

I hadn't moved my perspective!  

Sure, different f/stops were used along with focal length adjustments.  But the perspective was from one location.   Almost all of the upper level pier shots had the same look and feel including horizon points.  This left very little to work with when back in Lightroom.  

What happened?

Fundamentally, I am a bird and nature photographer.  Because my subjects move, I constantly have to as well.  'Moving' around to the right, left, on the ground is the norm.  

When the objects became stationary, my tendency was to remain in one spot.  The outcome?  A lot of images that looked the same and there was not a lot to choose from.

Bodie Lighthouse after Sunset
Nikon 600,  14-24mm, f/8, ISO 50, 30 sec

Viewing images from the pier and lighthouses with limited perspectives generated the need for a mental  'in the moment'  tactics checklist.  This includes: 

• Multiple f/stops
• Multiple focal lengths
• Multiple steps to the right and left from the initial shooting point
• Taken from close to ground level
• Taken from a higher point
• Use of different lenses on the same subject when possible

Batteries are charged, camera gear and backpack is ready.  Mental list?  Check!

HAPPY SHOOTING!